Testimonials & Performance

Camden Shaw is with the Dover Quartet

"I now like the sound enhancement so much that I almost always use it, even when I don't need to! Simply put, every cellist should own one."


Camden Shaw


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Tobias Baez Co-principal Cellist in Gewandhausorchestra, Leipzig, Germany (founded in 1743, named in 1781 for its first home – Gewandhaus)

"The super pin sounds so wonderful that I can't play my old pin anymore!"


Tobias Baez


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The Rolston String Quartet Captures First Prize at the 2016 Banff International String Quartet Competition with Jonathan Lo as cellist.

" ...I haven’t regretted it since, virtually every aspect of sound quality from projection, resonance, response, and timbre have drastically improved."


Jonathan Lo


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Hailed for his rich tone and charismatic playing, Korean-American cellist, MARK BAEKBEOM YEE has a career as a soloist, chamber musician, and orchestral performer. As winner of the Cleveland Institute of Music concerto competition..

"I was so pleased with the results of switching to the Tone Acoustics endpin, I decided to see if Tom’s rock stop could enhance the sound of my cello even more. The answer was YES! The rock stop added a more round and focused sound to the instrument. Now, when I play, I have the feeling that the cello has more power to give -- I can feel more layers are added to the sound. The rock stop produces more overtones to my ear, and works particularly well in a room-like setting. For those who have auditions for schools or professional auditions, this rock stop can give one that extra edge to the sound of your cello."


Mark Baekbeom Yee


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Susan Marshall Petersen is a cellist in the Cincinnati Symphony Orchestra

" ...It has not only enhanced the sound of my instrument twofold , but it has made playing the instrument easier and more responsive."


Susan Marshall Petersen


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Wesley Baldwin is an active soloist and chamber musician. He serves at Professor of Cello at the University of Tennessee.

"These endpins are a game changer. I can't say enough positive things about them"


Wesley Baldwin


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Paul York is an accomplished soloist, chamber musician, recording artist and teacher at University of Louisville.

"The Tone Acoustics' endpin is the most innovative and important advancement in sound quality for cello and bass that I have seen - or heard - in decades. "


Paul York


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Benjamin Karp is Professor of Music and Director of Chamber Music at the University of Kentucky

"I don't know if it's the design, materials, or mass, but the Tone Acoustics Endpin audibly improves the clarity and response of my 1765 Balestrieri. I love how it feels, and I'm never going back!"


Benjamin Karp


Clayton Vaughn is a member of the Alabama Symphony, the Des Moines Metro Opera, and the Walden Chamber Music Society. Past positions include principal cellist of the Boulder Chamber

"The bottom line is that I highly recommend this endpin! Awesome product!!"


Clayton Vaughn


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Willie Braun plays with the Skyros Quartet.

"The Tone Acoustics pin gives me the widest range of color with very little effort."


Willie Braun


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Heikki Hämäläinen of Finland works as full-time cello teacher at Porvoo Institute of Music and is an active freelance orchestra and chamber musician.

"I am really happy that I invested in this pin. It has already been worth the price"


Heikki Hämäläinen


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Joseph R. Falconer is an Educator and Cellist, GTA, University of Tennessee

"I considered the custom endpin so important to my sound that I purchased a second one when I acquired another cello"


Joseph R. Falconer


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Anita Graef is a Cellist with The Juliani Ensemble

"It is as if I purchased a superior cello. My wolf tone is gone, the volume of my cello is louder, but projects better than before during soft passages, the sound is clearer, I am able to hear more overtones, and the cello responds faster. Thank you so much!"


Anita Greaf


Emily Allen is is pursuing a Master’s in Cello Performance at University of Wisconsin-Madison

" I can walk into any venue with the confidence that the disk will stay securely in place and give my cello its best sound"


Emily Allen


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NOTE: Opinions expressed on this page are those of the individual performers and technicians and do not represent an endorsement by any group,organization or symphony.