Hailed for his rich tone and charismatic playing, Korean-American cellist, MARK BAEKBEOM YEE has a career as a soloist, chamber musician, and orchestral performer. As winner of the Cleveland Institute of Music concerto competition, Mr. Yee performed the Dvorak Cello Concerto with the CIM symphony orchestra. This led to an invitation to perform Tchaikovsky Rococo Variations with the National Repertory Orchestra. In 2014, Mr. Yee was invited to participated in the 50th anniversary distinguished alumni “Shooting Stars” concert for the Sarasota Music Festival. An avid contemporary music performer, Mr. Yee has world premiered new works by Victoria Bond, Gao Ping, Wang Da Hong, and Xie Wen Hui at the Lincoln Center with the China Conservatory Chamber Ensemble. He has performed at such prestigious concert halls across the country such as Carnegie, Alice Tully Halls, and at the Kennedy Center.

Mr. Yee has spent his summers such as Norfolk, Sarasota, and was a festival fellow at Aspen and Bowdoin Music Festival. In addition to his appearances as a soloist and recitalist, Mr. Yee performs regularly as a chamber musician. He has performed chamber music with distinguished artist such as Robert Levin, Mikhail Kopelman, Oleh Krysa, James Buswell, Pamela Frank, Kim Kashkashian, Emma Tahmizian, and members of the Juilliard, Cleveland, Tokyo, Artis, Ying, and Cavani string quartets. He was part of the Yee-Matathias-Cheli piano trio, which was closely mentored by violinist Sylvia Rosenberg from the Juilliard School and has performed in master classes at the Lincoln Center for pianist Jeremy Denk and Menahem Pressler. As an orchestral performer he has been lead by such conductors such as Kurt Masur, Gustavo Dudamel, David Zinman, Peter Oundjian, and Leonard Slatkin.

Mr. Yee is an active freelance cellist, performing with the Houston Grand Opera and with the Houston Ballet orchestra. Mr. Yee has maintained a full cello studio with 40 students; his students regularly perform in the Texas All-Region and All-State orchestra.

In the spring of 2009, Mr. Yee solo and chamber music performances took him abroad to England, where he studied with cellist Steven Isserlis and Ralph Kirshbaum at the International Musicians Seminar Prussia Cove. In 2015, Mr. Yee graduated from the Eastman School of Music with a Masters of Music on a full-tuition scholarship and received a Performer Certificate while being a teaching assistant to Steven Doane and Rosemary Elliott. Mr. Yee finished his Bachelors of Music at the Manhattan School of Music under Clive Greensmith, former cellist of the Tokyo Quartet. His previous teachers have been with Desmond Hoebig, Richard Weiss, Christopher French, and Richard Aaron. He teaches cello privately, his students have been successful in regional and all-state competitions. Outside of music, he’s known for his abilities as a Korean Barbecue Chef specialist and currently training for the IRONMAN 70.3. He lives in Houston with his two pugs, Pumpkin and Coco.

Mark Baekbeom Yee

"No question that this endpin is revolutionary compared to the old traditional endpin. Tom has found a way to increase the power and projection of my cello without losing the quality of sound. Something we cellists are always concerned with is the projection of the cello. The Grand Concerto has enhanced my cello’s sound not only in a clear difference in projection, but also by delivering a rich, dark, and full body tone quality to the cello. Anyone who is a serious student and professional cellist should invest into this product. You will certainly be amazed with the results, and I promise you will get your money back and much more if you ever have to sell your cello!!!

I was so pleased with the results of switching to the Tone Acoustics endpin, I decided to see if Tom’s rock stop could enhance the sound of my cello even more. The answer was YES! The rock stop added a more round and focused sound to the instrument. Now, when I play, I have the feeling that the cello has more power to give -- I can feel more layers are added to the sound. The rock stop produces more overtones to my ear, and works particularly well in a room-like setting. For those who have auditions for schools or professional auditions, this rock stop can give one that extra edge to the sound of your cello.

Certainly Tom offers the best customer service around, from the beautiful packaging to his professionalism, you know you are in excellent hands. Bravo to Tom and Tone Acoustics!!!"

- Mark Baekbeom Yee

NOTE: Opinions expressed on this page are those of the individual performers and technicians and do not represent an endorsement by any group,organization or symphony.